#god im so fucking emo

[mysterycitrus]

oh man….. stephanie brown and damian wayne’s struggle with disrespect…,,… both entwined with people’s views of their fathers, both are denied kindness, both bear the robin mantle to become something more

steph is obviously given the crueler end of the stick in every capacity but i really really wish they’d talked about steph’s robin run while they were working together. steph achieving greatness by herself but still disrespected by everyone around her. finally achieving a foothold in the hero space before it is taken from her. she and damian have an uphill battle as people doubt their intentions, their abilities, their capacity for good

and then they serve under the first robin!! the person who proved such a thing possible!! someone get jim lee on the phone i think ive connected the dots

[halechief]

honestly i think what bothered me the most about season six - and while i’m at it, season five, is how completely they subverted almost everything that we knew and understood about claire, in order to make her “more formidable” or “more dangerous,”  or “more compelling,” since i guess they felt the need to make up for the lack of francis. the thing about claire is that she has always been dangerous. and when they weren’t making her look stupid or insensitive in order to further the plot, i actually liked the way that they showed that in her. the intimidation she used with zoe, the way she tried the gentle approach with gillian cole and when that didn’t work, very very calmly and deliberately she revealed herself just enough to achieve the desired effect. am i really the sort of enemy you want to make? she was never, ever so heavy handed as francis. she used the soft touch in every situation right up until the moment that it no longer worked, and when the time came to move beyond that, the destruction was typically just as elegant as her mercy would have been. in seasons four five and six i really feel like so much of her characterisation just started getting... sloppy and awkward. and as far as the asides, i loved the first one, we make the terror. i even loved a couple of the ones after that because they were sparing, they were utilized at the appropriate moment. i loved the ones that might not have been asides at all, when she seems to respond to something francis has said, but the same words are used to the room at large, like when he says that she owes him and she says not true, and uses that to address the room, as well. season six simply took it way too far, and it’s obvious from the EVERYTHING ABOUT IT that they did it because they had simply decided that instead of writing us claire, they were going to write us Frank In Heels. let me bring us back to a little moment from season one for reference as to what i mean, and why i think it’s out of character.

it’s one of my favorite episodes,chapter 11, where claire leaves adam’s apartment in new york after the news about peter russo breaks. there’s a photograph that claire took in the park where she and adam had talked, where he’d asked her about fear and feelings and francis and what she had wanted from her life. he’d pointed out the young woman and said “if he’s looking for you, that’s where you are. over there. before you met frank. alone. curious. absorbing everything.” to which claire replies : you have no idea what i was like when i was a girl. she takes the photo after admitting to adam that what she’d wanted was not just to be seen, but significant. later, when they print out the pieces of the enlarged rendering, adam asks what they should name her :

claire: why does she need a name? adam: i never photograph anyone without knowing their name. claire: you didn’t take the photograph. i did. adam: i think . . . we should call her claire. claire: (laughs) she doesn’t even look like me. even a younger version, why do you keep saying that? adam: not her features, her .. expression. hey, we should mount it. you can hang her in your house. would francis object? claire: .... can we please .. not discuss francis?

from there it moves on, claire denies that frank’s presence is there between them even when she is visiting and ‘being with him’ ( although that is undoubtedly true, francis is always hanging between her and whatever person she tries to love. ) eventually by the end of the episode, claire and adam have had their massive argument, wherein adam says “that is what i find so frustrating about you claire. you chose not to be free.” and she says : no. what i chose is a man i could love for more than a week  ( . . . )  i have a life with francis, i have a future with him. and it’s bigger than a moment. 

HERE ARE THE EVEN FUCKING MORE IMPORTANT PARTS. 

claire rearranges the pieces of the photo laid out on the floor. she folds a swan into the centerpiece, and we don’t see this until adam wakes up after she’s left. the implication here is very clear : you don’t really know me. i am not this false image that you have of me. claire is disrupting this idea that he holds of her, of this caged person, of this person who chose not to be free, who is held captive by her marriage or her choices or whatever he thinks it is that binds her. he sees her as a persona, a painting he wants very desperately to save and keep for himself, and she knows that this is an image she has encouraged him to hold of her, the soft parts, the parts that she is not often given room to express, but i think after the argument that they had, she needed to show him that his view of the matter is wrong, and disingenuous, and reductive. that it is diminishing, though he holds it with affection, with desire, with longing. THEN, and this is why i will never, ever get behind the asides every episode bullshit that they did in s6 in order to replace the francis of it all : claire does this as she leaves:

she pauses, she pulls this subtle half turn -- i don’t know if this has been confirmed by any of the showrunners but to me, this is the first indication in the show that claire knows we are here. i can almost taste what she might have said. she turns, she thinks of addressing us, of explaining herself, why she’s rearranged the photo, why she stayed another night before leaving after the fight, why she came here at all or why she is going back despite us seeing what francis has done to her and how deeply the wound has run. then she doesn’t. why?

because she doesn’t have to. 

claire does not feel beholden to, or supported by the audience the way that frank does. she doesn’t need approval or fealty or admiration from us the way that he does... she does not long to share with us or to have us exalt in her actions, she does not wish to invite us into her thoughts and feelings, because they are hers. she is an incredibly private person ... it is not a performance, what she does with the photo, she doesn’t do it to hurt adam or to dig a finger into a wound so to address it, to call attention to it or explain as though it is any of our business would pervert the earnestness of the moment. the fact that she wanted to make a clean break, to end it without having to speak any more hurtful words or puncture his understanding of her in person. this is her life. not a scene, and it is not meant for us to understand or enjoy.

to go from this to what they did in season six, is just so ... wrong, to me. claire is not a person that gets off on making herself seem intelligent or cruel or wicked. she’s not as prideful as they made her seem, she’s not as detached or arrogant or cold. she is ruthless, she is calculating, she is capable of hurting herself and anyone else to get what she wants. one thing she is not, is ours to judge or decipher. she belongs to herself. and if i’m honest ... i don’t think she cares very much what we think of her choices.

[heartorbit]

revstar emu save me

[bsideheart]

what kind of fuckign crack did they put in bulls in the bronx. wbat the fuck

[skitskatdacat63]

2010 Bahrain Grand Prix - Fernando Alonso(cont.)

[spearxwind]

IT IS TIME. BASTARD FAMILY LINEUP 2023 BABY!!!! WOOO!!

[pineapplesaresweet]

euygh boy this took so long im so sorryyyyy,,, i had to figure out where i wanted to go with this and i DID so like. buckle up!!

Previous start (tw for both; character death)

[korainky]

MF TURNED INTO A FINAL FANTASY CHARACTER AND IM NOT TAKING THIS WITH SANITY

[skrunksthatwunk]

kinda thinking about how the women who serve as maternal figures/raise kids in yyh are never quite ready for it. genkai's an arguable exception, but like.. atsuko had yusuke at 15, shizuru's basically in charge of kazuma full time in her early 20s/late teens (depending on version) with very very absent parents, and even shiori is given a kid she wasn't expecting, in the form of an old, old demon rather than like. a regular, blank slate ass human baby. and although shiori seems to do quite well with kurama, kurama can never be honest with shiori about who he is, or much of what he's seen. if he was, it'd probably make things far more complicated and overwhelming. atsuko, no matter how much she cares for yusuke, Could Not Have Been and thus wasn't ready to have him at 15. her attempts to make the most of that situation have had middling success at best. shizuru has also been placed into a parental role. we don't really know how long she's been raising kuwabara, but that's.. probably still parentification anyway. she shouldn't have to do that, and she shouldn't have to do that so young. and i think some of her coarseness with kuwa is out of frustration with her own inexperience + inadequacy + uncertainty, his not cooperating, and their parents for putting this on her in the first place. the ones who know the full extent of their situation grow desperate and it squeaks out in unpleasant ways, and the one who seems unbothered by it is the only one who has no idea that she's in way over her head. and i mean. ok. gonna preface this by saying keiko is NOT yusuke's mom in any sense of the word. but she does take care of him in a way atsuko couldn't manage to. she's often looking after him and cleaning up after his messes and stuff. she takes him on as a responsibility, and that is, in a way, a caretaker role. not to say that it SHOULD be her responsibility, but it's how she ends up being.

and when the stress of trying to make someone take care of themselves or be kind or good or Whatever goes awry, again, the violence and arguing and distance and ugliness of caring for someone reveals itself.

and i wonder about that. for a series dedicated to physical fighting as a form of communication, what does it say that this extends to the complicated, quietly desperate situations of so many of the women/girls it depicts, whom our more central characters were shaped and raised by?

hell, even hiei touches on this, because hina loved hiei, but there was no way she was prepared for him, obviously, nor for the pain of losing him. rui (whom i also see as a sort of caretaker figure to hiei, inasmuch as either of them were caretakers) literally throws him off a cliff because she couldn't face down the village elders, and out of some mixture of care for hina and, likely, fear for her own survival. and the guilt and pain of that killed hina and deeply wounded rui.

it's like motherhood, this thing that's so often treated as sacred and beautiful, is a kind of stitched up, painful, eggshell-walking thing that hurts parent and child and it's just. oughh

[cynicallyneutral]

me: ok lets warm up w naruto

me after an hour:….just a warm up :)

[rouge-the-bat]

"shadows a teen! haha, teen angst edgelord" shadow was literally drinking at a bar with rouge in sonic x

[bruciemilf]

Whatever you do, don't imagine little Bruce Wayne trying to shake his parents awake; Don't picture him trying to restart their hearts while their blood is drying on his face. Don't think about little hands drenched with red. Don't think about Bruce laying on Thomas' corpse to be held for the last time before they go in the ground.

[redrobin-detective]

Guys I'm so emotional thinking of Skull throughout the years.

Skull, who refused to die peacefully and almost died a second time because he finally found something worth dying for. Only to come back and get the chance to live the life he never got.

Imagine Skull as a proper member of Lockwood and Co, out of his jar and free to help solve mysteries and take down dangerous visitors. It's exhilarating and he feels so powerful with his colleagues side by side with him. He never stop giving the team shit and being overall kind of a grouch but no human or ghost ever comes close to them when their overprotective type three is around.

Skull is powerful enough that he's able to stick around even when other Visitors are slipping back to the Other Side. He clings with everything he's got to this life he's building. As the Problem dies down, new challenges arise: dating and marriages and babies. He officiates the Locklyle wedding to the confusion of most of the guests. Grumbles but is also secretly relieved he's not invited on the honeymoon. Makes silly faces at newborn babies from a ghost touch safe distance. He watches the various children like a hawk and tells wild made up stories when the parents aren't listening. He swears up and down he just got some ectoplasm in his eye when a child shows off a school made family tree with good ole Uncle Skully tucked into the corner.

Lockwood's bad shoulder gives him trouble, George has high blood pressure and Lucy finds she can't read a damn thing without glasses. They're well into middle age, greying, wrinkled and Skull loves them just the same. He's forever stuck in his mid-teens but he's fought beside and grown up with this amazing, stupid little group. Lucy asks him once if he ever thought about moving on and Skull truthfully tells her that he can't imagine doing so without them. He finds hobbies: he takes up painting, learns to drive, even helps George write a book detailing Visitors and the Other Side. He gives baking a go but things tend to go wrong when you can't taste what you're making.

It does get harder as they age quicker and Skull realizes how limited time is. One by one they go, peaceful and easy and buried with the highest honors as a nation mourns its heroes. He waits to see if any of them will come back, maybe spend a few decades causing mischief with him but they don't. They led full, fulfilling lives, unlike him, they had no reason to stick around. Lucy is the last, even as her mind is going her ears are still sharp as ever. He whispers to her she needs to eat, to take her medicines. She looks around blearily, asking who's talking to her.

He couldn't bear to see her when she passes. He's kept her stupid, stubborn, reckless ass safe for years but he can't save her from this. Nor would she want him to. He waits on the Other Side for her, hoping for even just a glimpses. Skull catches sight of her walking into the distance, she looks back at him and beckons him forward. He wasn't ready 200 years ago but now that he's lived a life as an agent, a fun uncle, an artist, a scholar and Lucy Carlyle-Lockwood's best mate. For the first time ever, he's able to take her hand and walk towards whatever lies in store for them.

The kids bury their mum with the now empty skull knowing that, their souls are together.

[nateezfics]

[autistic-katara]

DOES ANYONE WANNA SEE SOME PICTURES I JUST FOYND OF MY VISIBLY-EMO PHASE

[3416]

mo on the peace collective's podcast talking about who he can go to to talk about anything.......... naming mitch as someone who couldn't hide his feelings about anything if he tried, which makes him a good person to go to... and also tj brodie as his d-partner :')